web stats
mcewan 2009
ANGUS McEWAN RSW ARWS

PLEASE NOTE ALL SIZES ARE FRAME SIZES

Venetian Facade

watercolour 51cm X 42cm £730

Terracotta Sun

watercolour 38cm X 33cm £425

Art To Wear

col pencil 78cm X 58cm £815

Permanently - Temporary study I

watercolour

Permanently - Temporary study II

watercolour

The above two studies are framed together 90cm X 63cm

£990

Listas Last Stand

watercolour 51cm X 41.6cm £690

Strike A Pose

graphite 84cm X 64cm £965

Venice Sketch I

mixed media

Venice Sketch II

mixed media

Venice Sketch III

mixed media

The above three sketches are framed together 70.5cm X 64cm £820

Le Quattro Stagioni

watercolour 39.5cm X 48.5cm £715

Forever Impervious

watercolour 35cm X 41cm £540

Where Angels Fear To Tread

watercolour 52cm X 64.5cm £1250

Vying For Attention

watercolour 41cm X 41cm £640

The Stone Speaks

watercolour 63cm X 50cm £1070

Collage Study for The Stone Speaks

collage 40cm X 50cm £680

Fading Beauty

watercolour 52cm X 52cm £1060

Illuminated Window

watercolour 76cm X 65cm £1600

American Express

watercolour 121cm X 91.5cm £3650

American Express study I

watercolour

American Express study II

watercolour

The above two studies are framed together 56cm X 78cm £785

Elegant With Age

watercolour 52.5cm X 52.5cm £1000

Great Divide

watercolour 40cm X 33cm £448

Collage For Vying For Attention

collage 40cm X 45cm £650

Le Quattro Staglione Study

watercolour 35cm X 42cm £500

Four Seasons Study I

graphite

Four Seasons Study II

graphite

The above two studies are framed together 64cm X 50cm £550

Billboard Altarpiece

watercolour 122cm X 75cm £3100

Echoes Of The Day

watercolour 78cm X 78cm £2050

Afternoon Drama In San Marco

watercolour 53cm X 65cm £1170

Fading American Dream study I

watercolour

Fading American Dream study II

watercolour

The above two studies are framed together 55cm X 88.5cm £875

Dutch Shawl Study

neocolour 77cm X 54cm £750

Gypsy Figure Drawing

col pencil 71cm X 56cm £675

Illuminated Window study I

watercolour

Illuminated Window study II

watercolour

The above two studies are framed together 56cm X 78cm £785

Iron Clad Gate

watercolour 41.5cm X 50cm £770

The Red Door At Blackscroft

watercolour 52cm X 64cm £1280

The Wee Blue Door

watercolour 34cm X 26.5cm £305

Morning Sun Lucca

watercolour 39cm X 33cm £435

Fire Door

watercolour 35cm X 42cm £500

Billboard Madonna

watercolour 64cm X 52cm £1220

This Way

watercolour 35cm X 42cm £550

'When putting together an exhibition for the purposes of selling in a gallery, there are a few self imposed “rules” which I normally adhere to. Call it convention, if you will. Keeping apart a number of works which appear similar, because they have been developed around a subject or theme is one. Not showing preparatory sketches, drawings, collages, false dawns, blind alleys etc, would be another.

 

I decided to show, in this exhibition, some of my “hidden pieces” (or support material), for my more finished / completed paintings. They are after all members of the same family.

 

You, the viewer, are being offered the rare opportunity see where ideas take off and change direction as new possibilities reveal themselves to me. Working in this manner, ideas flow continuously and there is never enough time to explore every facet. Some good ideas are never pursued and some are when they shouldn’t be, but that’s what keeps things interesting. That is also why the drawing, sketch, Maquette, is an essential part of the working process of an artist.

 

By omitting certain pieces from an exhibition, the idea or thread contained within a body of work can sometimes be missed or miss construed. It was my intention to allow the viewer an intended “Insight” into some of my preparatory ideas, sketches, etc as support for the main paintings. It is hoped that a little bit of the “hidden” workings will be revealed in the process.

 

An interesting aside to showing these support works is the fact that they can be viewed for the first time as works in their own right. There is often energy and vitality within a sketch or drawing that can be missing from the more polished variety. It is the carefree rather than careless mark that can imbue liveliness and simplicity that may be sacrificed in the making of the larger studio paintings.

 

If nothing else hopefully you go away with a little bit more of an “Insight” into the process involved in creating a work of Art.'

Angus McEwan RSW ARWS