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ANGUS McEWAN RSW ARWS |
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PLEASE NOTE ALL SIZES ARE FRAME SIZES
Venetian Facade watercolour 51cm X 42cm £730 Terracotta Sun watercolour 38cm X 33cm £425 Art To Wear col pencil 78cm X 58cm £815
Permanently - Temporary study I watercolour
Permanently - Temporary study II watercolour The above two studies are framed together 90cm X 63cm £990 Listas Last Stand watercolour 51cm X 41.6cm £690 Strike A Pose graphite 84cm X 64cm £965
Venice Sketch I mixed media
Venice Sketch II mixed media
Venice Sketch III mixed media The above three sketches are framed together 70.5cm X 64cm £820 Le Quattro Stagioni watercolour 39.5cm X 48.5cm £715 Forever Impervious watercolour 35cm X 41cm £540 Where Angels Fear To Tread watercolour 52cm X 64.5cm £1250 Vying For Attention watercolour 41cm X 41cm £640 The Stone Speaks watercolour 63cm X 50cm £1070 Collage Study for The Stone Speaks collage 40cm X 50cm £680
Fading Beauty watercolour 52cm X 52cm £1060
Illuminated Window watercolour 76cm X 65cm £1600
American Express watercolour 121cm X 91.5cm £3650 American Express study I watercolour
American Express study II watercolour The above two studies are framed together 56cm X 78cm £785 Elegant With Age watercolour 52.5cm X 52.5cm £1000 Great Divide watercolour 40cm X 33cm £448
Collage For Vying For Attention collage 40cm X 45cm £650
Le Quattro Staglione Study watercolour 35cm X 42cm £500
Four Seasons Study I graphite
Four Seasons Study II graphite The above two studies are framed together 64cm X 50cm £550 Billboard Altarpiece watercolour 122cm X 75cm £3100 Echoes Of The Day watercolour 78cm X 78cm £2050
Afternoon Drama In San Marco watercolour 53cm X 65cm £1170 Fading American Dream study I watercolour
Fading American Dream study II watercolour The above two studies are framed together 55cm X 88.5cm £875 Dutch Shawl Study neocolour 77cm X 54cm £750 Gypsy Figure Drawing col pencil 71cm X 56cm £675
Illuminated Window study I watercolour
Illuminated Window study II watercolour The above two studies are framed together 56cm X 78cm £785 Iron Clad Gate watercolour 41.5cm X 50cm £770 The Red Door At Blackscroft watercolour 52cm X 64cm £1280 The Wee Blue Door watercolour 34cm X 26.5cm £305 Morning Sun Lucca watercolour 39cm X 33cm £435 Fire Door watercolour 35cm X 42cm £500 Billboard Madonna watercolour 64cm X 52cm £1220 This Way watercolour 35cm X 42cm £550 |
'When putting together an exhibition for the purposes of selling in a gallery, there are a few self imposed “rules” which I normally adhere to. Call it convention, if you will. Keeping apart a number of works which appear similar, because they have been developed around a subject or theme is one. Not showing preparatory sketches, drawings, collages, false dawns, blind alleys etc, would be another.
I decided to show, in this exhibition, some of my “hidden pieces” (or support material), for my more finished / completed paintings. They are after all members of the same family.
You, the viewer, are being offered the rare opportunity see where ideas take off and change direction as new possibilities reveal themselves to me. Working in this manner, ideas flow continuously and there is never enough time to explore every facet. Some good ideas are never pursued and some are when they shouldn’t be, but that’s what keeps things interesting. That is also why the drawing, sketch, Maquette, is an essential part of the working process of an artist.
By omitting certain pieces from an exhibition, the idea or thread contained within a body of work can sometimes be missed or miss construed. It was my intention to allow the viewer an intended “Insight” into some of my preparatory ideas, sketches, etc as support for the main paintings. It is hoped that a little bit of the “hidden” workings will be revealed in the process.
An interesting aside to showing these support works is the fact that they can be viewed for the first time as works in their own right. There is often energy and vitality within a sketch or drawing that can be missing from the more polished variety. It is the carefree rather than careless mark that can imbue liveliness and simplicity that may be sacrificed in the making of the larger studio paintings.
If nothing else hopefully you go away with a little bit more of an “Insight” into the process involved in creating a work of Art.' Angus McEwan RSW ARWS |